DISCOGRAPHY
María Espada, soprano
Vespres d'Arnadí
Farran Sylvan James, concertino
Jonathan Pia, trumpet
17 musicians
Disc dedicated to Anna Maria Strada del Pò, the soprano favourite of Handel
Overtures and aries from Orlando, Agrippina, Poro, Sosarme, Atalanta, Ezio, Alcina and Arianna in Creta.
Atalanta, Ouverture. Georg Friedrich Händel
Poro, Ouverture. Georg Friedrich Händel
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Missa en Re major
Stabat Mater
Quomodo Obscuratum Est
Lauda Jerusalem
MEPCD00
Lluís Vilamajó, tenor
LA XANTRIA, Pere Lluís Biosca
VESPRES D'ARNADÍ, Dani Espasa
Catalonia in the 18th century, like Bohemia and Moravia, produced a surplus of musicians, surplus that sometimes “was exported” to the other kingdoms of Europe (Domènec Terradellas, the Pla brothers) although most obtained a position in religious centres in mainland or overseas territories of the Spanish crown. Josep Mir i Llussà achieved some of these most prestigious positions in Segovia (1731-1741), Valladolid (1741-1750) and Madrid (1751-1764). In this stage in Madrid, Mir was mixed with the most influential persons of the court: José de Nebra, Jaume Casellas, José Ripa and the Italians Francesco Corselli and Nicola Conforto. His main task was always the composition of church music, materialized in an impressive catalogue of works and in its dissemination throughout the Spanish and Latino American geographies. The main sources of Josep Mir i Llussà’s music are the royal library of the monastery of San Lorenzo de El Escorial, the Segovia Cathedral chapter archive, the musical archive of the sanctuary-monastery of Aranzazu and, above all, the ancient music archive of the monastery of La Encarnación of Madrid, acquired at the beginnings of 20th century by the Abbey of Montserrat. This recording shows four contrasting pieces both in style and in scoring: a mass of great format with soloists, choir and orchestra (Missa a 8, 1760), a lamentation for a solo tenor and orchestra (Quomodo obscuratum est, 1753), a Stabat mater written a capella (1756) and a psalm for a double choir and small orchestra (Lauda Jerusalem). We do hope that this anthology, a small show of the colossal production of one of the more important chapel masters from 18th century to a Spanish level, contribute to the knowledge of our musical and artistic past and to understand better the evolutions of a dynamic and at the same time contradictory century, in a country where the most ancient traditions coexisted with the latest innovations of the most fashionable music.
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Pîèces de Simphonie (1702)
Suites I & III
MEPCD 001
VESPRES D'ARNADÍ
Dani Espasa, harpschicord and conduction
Pere Saragossa, oboe
Katy Elkin, oboe
Xavier Blanch, oboe and taille
Iván Alcazo, taille
Sara Parés, flutes
Carles Vallès, flutes and basson
Carles Cristóbal, basson
Guadalupe del Moral, violin
Juliano Buosi, violin
Elisabeth Bataller, violin
Natan Paruzel, viola
Xavier Roig, violoncello
Oriol Martí, violone
Joan Manuel Chouciño, harp
Pere Olivé, percussion
Dani Garay, percussion
Ouverture. Suite I. Charles Desmazures
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